Dionysus has remained an inspiration to artists, philosophers and writers into the modern era. In The Birth of Tragedy (1872), the German philosopher Friedrich Nietzsche contrasted Dionysus with the god Apollo as a symbol of the fundamental, unrestrained aesthetic principle of force, music, and intoxication versus the principle of sight, form, and beauty represented by the latter. Nietzsche continued to contemplate the character of Dionysus, which he revisited in the final pages of his 1886 work Beyond Good and Evil. This reconceived Nietzschean Dionysus was invoked as an embodiment of the central will to power concept in Nietzsche's later works The Twilight of the Idols, The Antichrist and Ecce Homo.
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Acratophorus,
Acroreites
. Adoneus,
Aegobolus,
Aesymnetes
Bromios,
Dendrites,
Eleutherios
Enorches
Evius
Iacchus
Liknites
Lyaeus
Oeneus
Agrio
Erikryptos
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